portrait

The Importance of Scouting

Scouting is as important of a component of photography as hitting the shutter button itself. Scouting, for me, is a time to plan. It’s thinking about possible compositions, lighting set ups and just the overall mood of the photo I’m trying to capture. In planning, scouting helps you over come any number of unexpected problems that tend to crop up when you’re setting up your day’s shoot. Bad weather on the horizon? Look around and formulate a plan B. Mid-day Sun beating down your subject? Again, it’s the process of just looking around that will help you find a better location with a bit of shade to offer you some respite from harsh over head light.

I’ll even re-scout locations I’ve shot at before. It’s good to have a few go-to spots where you know you can get what you need out of your photo, but it’s also a good idea to keep things looking fresh especially if you’re shooting in a familiar locale. Tomorrow is just such a day for me. I’ll be shooting a portrait in two days time at a location I’ve used twice before. The good news is it’s a large area. I’ll re-scout the spot tomorrow to make sure that when I show up on set the day after I’ll have a good idea of where I want to shoot.

Don’t be idle! Keep moving and looking!

Benjamin Lehman is a Commercial Wedding, Engagement, Portrait and Advertising Photographer in the Canton, Ohio area.

Water Works Park for Wedding, Engagement and Senior Portraits

Water & Sun

Water & Sun

Here in Canton, we have have a great park known as Water Works Park. The park is actually a chain of parks including Stadium Park, McKinley Memorial Park and City Field Park in addition to the aforementioned Water Works Park. Through this park chain there are a multitude of locations for photography. Some areas are great for fitness photography, some are great for high school senior photos and some are perfect for bridal and engagement photo shoots. The landscape of the park changes dramatically along it’s length so you should never be left wanting for a change of scenery. Along side the park runs the Nimishillen Creek, which is actually classified as a river. This sheet of running water can also serve as a backdrop for photos shot near its banks.

One of my favorite places to shoot is in an area known as the Garden Center & Children’s Garden. This area is filled with trees and all types of wonderful flowering flora, changing dramatically depending on which season you visit. A small creek runs through the gardens off to the side through a series of stone walled water falls. This is another great area to shoot along. This side of the garden also offers a lot of shade to help photographers who have a shoot scheduled in the mid-day sun.

Brides can be photographed in both the Garden Center and the Children’s Garden easily from almost any angle, although you do have to be careful in some areas since the background can be cluttered with structures. With some careful planning you should be able to work around this easily.

Place you subject on a hill and shoot up at them to convey confidence and strength.

Place your subject on a hill and shoot up at them to convey confidence and strength.

For Business or High-School Senior portraits there is a wonderful trail that winds alongside another smaller creek on the western edge of the park. One of my favorite places here is a small waterfall with steps where you can take both standing and sitting portraits against an interesting backdrop of either water or trees. If you get there at just the right time (around 7:30-8:30 pm in the spring/summer) you can actually catch the suns light peeking through the arches of the waterfall’s bridge. The McKinley Monument, only 100 yards or so west of this point, also serves as a strong backdrop for those moments when your photo may need to convey strength or longevity. Try placing your subject’s back to the monument and shoot down the wall towards them with a shallow depth of field.

Because the park winds around with the river you should be able to move to a new location to effectively change the sun’s impact on your subject. Evenings after 5pm are best since the morning day sun rises over a row of houses instead of the trees that line the western side of the park.

Photographers in larger cities often have a ton of go-to locations for photography while those of us in slightly smaller cities really need to dig deep to find of those over looked gems. While Water Works Park is no secret, it’s not used nearly enough, in my opinion, as a backdrop in photos. In an upcoming article I’ll talk about how photogs in smaller cities can scout out promising locations that offer both easy access and unique looks.

Benjamin Lehman is a Commercial Wedding, High-School Senior Portrait and Advertising Photographer based in Canton, Ohio.

Free Custom Photoshop Skin Retouch Brush

A Custom Brush for all Your Photoshop Skin Retouching Needs

It's easy to load in a new brush!

It’s easy to load in a new brush!

Retouching is an important part of any portrait, whether it’s a wedding, engagement, or high school senior’s photo. Most people are used to the airbrush technique, and since in the early days of photo retouching an artist would use an actual airbrush to do this, it’s no wonder why people still use the default airbrush tool in Photoshop today to pretty much the same effect.

Photoshop is great in the respect that you can use your own custom brush in addition to it’s default airbrush preset. I made my own custom brush, using a more organic pattern, to achieve much better results. This brush is great on any type of face, or body part as it replicates the random nature of skin, such as pores and other surface textures. The trick when retouching is being careful not to smooth your subject’s skin out to the point where they look flat and plastic. Using a textured brush like this allows you keep the skin looking real while gently painting away imperfections. Also keep in mind that some imperfections, especially in men, are defining features and should be only diminished in strength rather than removed completely.

You can download the file HERE and then load the brush within Photoshop under the brush menu.

Here's an example of a before and after. Even using the brush subtlety can make a big difference.

Here’s an example of a before and after. Even using the brush subtlety can make a big difference.

A-1 Auto Repair Portrait Photography

Shooting Portraits on Location at A-1 Auto Repair.

Every now and then you get an amazing lead on a good location to photograph portraits. More often than not that location is something like a beautiful historic mansion, or a wonderful farm landscape or any other number of amazing, but slightly cliché backdrops. However, sometimes that location is something completely different than pretty much anything else out there.

Such was the case when a friend of mine suggested A-1 Auto Repair in Canton, Ohio. When another friend of mine, Chase the Matrix, needed some photos for his promo material I knew this new location would be perfect. Set against the farmed hills west of Canton proper, A-1 Auto Repair is an old-fashioned type of a place. A land that time forgot, but refuses to let go of. When you first pull up you’ll notice a long wall made entirely of old rims and hubcaps, and trust me when I say that would be enough to make this place cool. But it gets better. In front of the fence are several vintage, rusty cars. Again, perfect backdrop for portraits that need to be a little different in look and style.

Behind the fence is an entire, over grown junkyard. Old rusted cars with trees growing through them. Old rusted appliances, old rusted oil cans – old rusted everything! Everywhere you turn your lens there’s an amazing landscape of rusted Americana. Okay, okay, I know rusted cars can be a cliché photo backdrop as well, but not if the location is more than just that, and A-1 Auto is filled with portrait photography possibilities in all 360 degrees.

Now, I should mention, I’ve never shot here before nor had I ever even seen this place with my own eyes until the day we rolled up there for the shoot. That’s pretty risky, especially when you don’t know how the owners will react to you strolling up with a camera and some lights, asking if you can be on their property for an hour. Luckily, the owner and employees were as nice as you could ask for in people. They graciously let us have the run of the place and we did our best to make sure we just didn’t get in the way of their business.

Over all it turned out to be a great place for a portrait session that needed a little extra edge to it. It could even be a great place for some adventurous wedding photography too with the right bride and groom.

Controlling Light – Using a Flash Outdoors

Flash ComparisonPeople love to shoot at sunrise and sunset, and why not? It’s a beautiful time of the day where the sun is doing all of the hard work for you. That low horizon light is flattering in almost all cases and will often remove the need for external flashes completely.

There are times, however, when you can’t escape the mid-day sun, and that harsh, overhead light, can be anything but flattering to your subjects. This was the case when I was recently asked to take a series of portraits for the Akron/Canton Regional Food Bank. The job was to take photos of the clients and volunteers of the food bank, and because the area food banks often hand food out in the late mornings I was constantly faced with shooting with the noon-day sun in the sky. In cases such as this, it’s strongly recommended that you use some sort of a fill light, and if you do it right your photo will be beautifully exposed with your background and subjects left looking amazing.

The way I approach this problem is fairly simple. The sun will almost always be at some sort of angle to you, even in the middle of summer at high noon. The trick is to find that small difference in angle and then put your subject’s backs to it. In this way, you are using the sun as sort of a huge, nuclear rim light. You’re also keeping the sun out of their eyes, which helps reduce squinting.

The next trick is exposure. Since your using an external light source to expose your subject correctly, you need to set your camera to expose for the background. Here I like to use the magic -1 to -2 ev trick. Darkening the background in this way will both saturate the colors of the background and make your subjects pop.

All that’s left now is positioning and dialing in your light’s power. This part is where you can get creative, but generally I like to use a fairly large light source (I use an umbrella/octobox similar to this on location with my AlienBee’s 800) with it positioned directly in front of, or just to the side of my subjects. Light power is set to generally equal neutral exposure on the subjects, although more or less power can be used to add drama.

New Portrait Series

Time to start photographing more people . There’s really not much more to say than that. It’s something I really love doing, so it should turn out to be a very fun series to work on.

Page 3 of 3123