Near the end of winter I was approached by the Akron-Canton Regional Foodbank. Their request was simple – help them document the people and neighborhoods that rely on the foodbank’s assistance for food. I couldn’t say yes fast enough.
I’ll be honest, a photo essay project like this is a photographer’s dream. We all want to capture real people living in real moments. It’s why street photography is so popular. It’s why photo-journalists will risk their lives in war torn countries. There’s a deep need for us to expose the emotions of people, and those emotions are best found where they are near the surface. Sadly, that often means areas of homelessness, the victims of war, disease, and people struggling with poverty in general.
I thought I knew what I was getting into. When describing my photographic approach to the Foodbank I insisted that I wanted to take the pictures that were given to me. At the time that meant to me I would be taking a lot of photos of people with faces labored with burden, bodies that bared the weight of the world. My first day on the job took those expectations, tore them up and threw the pieces into the wind.
Where I expected to find sadness, I found strength, optimism. I thought I would find shame, but instead I encountered honor. It wasn’t the dark emotional alley I expected it to be. Instead it was cohesive community working together to make everyone’s lives better.
Let’s talk about the Foodbank for a moment. The Akron-Canton Regional Foodbank (ACRFB) serves 8 counties in Ohio. They distribute over 24 million pounds of food each year, with 65% of that food given to their member agencies at zero cost. If those numbers sound impressive, they are. The ACRFB was named Food Bank of the Year, which is the highest recognition achievable among the Feeding America national network. The people who work for the Foodbank are the typification of first-class. They tackle the problem of hunger tirelessly and employ innovation for improved fundraising, problem solving and program services.
You can see their efforts at work the moment you walk into any of their sponsored agencies. Time and time again, I was told, “No one leaves hungry. No one is turned away.” Walking around one of the Foodbank’s agencies it doesn’t take long to see that those words are an iron-clad promise. The first location we shoot at was an old church. On Sundays the halls are filled with parishioners, but on that day it was filled with volunteers and the people they serve.
The volunteers were also not what I had expected. I figured that the average volunteer force at a food shelter would be made up mostly of younger, college aged kids. Instead I found many of the volunteers had once, or still were, the same people receiving assistance from the shelters. They felt so strongly about the work the Foodbank and shelters had done for them that they wanted to give back and be part of the solution. Our first subject was one of those people; a lady who had received assistance for years who now served the folks she once stood in line with.
Our next location, a shelter out in the middle of Amish country, was the same. As was the one after that, and after that. Each shelter greeted me with smiling faces – not the sadness I was prepared for. And in those moments are where I became swept up in just how amazing these people were. Mothers with small children, fathers, families, even the wonderful lady who was fighting MS while relying on the Foodbank, turned out to be nothing short of the some of the strongest people I’ve ever met.
Hunger and the people who suffer from it belong to no stereotype. They are individuals with unique reasons for needing assistance. Many of the people we talked to and took photos of worked at least one job. Some of them worked two.
All of them shared one commonality, and that was the gratefulness they shared towards the Foodbank and its shelters. One such person was a man named Mark. He has relied on food assistance from a shelter aided by the Foodbank. Now he spends free time at the shelter, manning a wagon he uses to ferry groceries to the cars of other shelter clients. He was kind enough to take a few moments out of his day to let me photograph him, but the whole time I was clicking the shutter I could see he just wanted to get back to work, to the people he cared for.
Once all was said and done, I had visited shelters in the middle of country fields, in the woods, and in the middle of urban America. I had taken my camera, ready to take pictures of people overcome by circumstance and instead I found smiles and pride as far as my lens could see. This job destroyed any misconceptions I ever had about hunger and the people living with it, and this will stay with me forever as one of the best jobs I’ve ever had the honor to work on.
Special thanks to Kat Pestian, Michael Wilson, and Melissa Link. You can follow the wonderful work of the Akron Canton Regional Foodbank here.
Benjamin Lehman is a Commercial Portrait, Advertising, and Wedding Photographer in Canton, Ohio area.
Fireworks and photography goes hand in hand. We use sparklers all of the time in wedding photography for when the Bride and Groom are leaving their ceremony or reception. Once a year, however, we get to take a picture of something a little larger than sparklers and party poppers. The 4th of July gives all photographers a chance to turn their cameras to the sky and capture airborne shows of fire and light. In the past I’ve been tasked with photographing large fireworks displays put on by cities and event planners – this year I was in a beautiful rural setting with a dark, starlit sky serving as the background to the fiery fair.
In addition to working as a writer, his work appearing in commercial campaigns and local news papers, Brian Lisik also enjoys his time on stage as a prolific musician. Brian’s music is heartfelt and melodic, appealing to many types of audiences while dodging categorization.
When we talked about working on a photo campaign for an upcoming project we both knew the photos had to be just as unique. Brian lived near a location, an old auto repair shop, that was just dripping with visual personality. When he recommended that we might want to shoot there, we raced over to scout it out. It didn’t take long to realize that this was a gold mine for photographs. It was so great, in fact, that it served as a backdrop for another local artist’s photos I had taken.
With permission from the owner of the repair shop, we arrived on a Saturday around 6pm, ready to take pictures. Because it was the end of spring when we took these pictures, that meant that the sun was still high in the sky, even around 6pm. After snapping a few frames and reviewing our work we realized the location needed a little more drama from the lights to help bring the location to life.
I was shooting Brian with a large 5 foot octa acting as his key light. We decided to try to keep things simple and add a second light. I really wanted to add some color to the light as well and our final decision was put a full cut of CTO onto an unmodified speed light. Unmodified meant the light would be small and harsh, and the CTO gel would give it a warm glow.
We got everything in place, reset ourselves and started snapping a few frames. Instantly we knew we had nailed it. The single, extra light with it’s orange gel was giving the photos the unmistakable sense of sunset, and that little detail made the difference. We would spend the next 2 hours on location taking pictures against many backdrops; cars, an old wall made up of tire rims, and an old office door.
Normally as the sun gets lower in the sky, photographers will push their subject into it, using it as a beautiful backlight. Because we were getting such great results out of our own little artificial sun we made the choice to avoid the actual sun and continue to use our flash as both main, and artificial sun/kicker. Because the speed light was so easy to move around it gave us a lot more flexibility to set the scene however we wanted it and I think the photos speak for themselves as to it’s effectiveness.
Due of the nature of the project, I can’t share our favorite photos until they are released with the project itself, but keep an eye on the site and I’ll start posting photos as the roll-out begins.
Benjamin Lehman is a Commercial Portrait, Advertising and Wedding Photographer based in Canton, Ohio.
Flowers are a main-stay of all photographers. They’re beautiful, so how could you not take a picture of them? I am no different, and while flowers are some of the most photographed pieces of nature, they always offer something new every time you press the shutter button.
Benjamin Lehman is a Commercial Wedding, Portrait and Advertising photographer in Canton, Ohio.
Scouting is as important of a component of photography as hitting the shutter button itself. Scouting, for me, is a time to plan. It’s thinking about possible compositions, lighting set ups and just the overall mood of the photo I’m trying to capture. In planning, scouting helps you over come any number of unexpected problems that tend to crop up when you’re setting up your day’s shoot. Bad weather on the horizon? Look around and formulate a plan B. Mid-day Sun beating down your subject? Again, it’s the process of just looking around that will help you find a better location with a bit of shade to offer you some respite from harsh over head light.
I’ll even re-scout locations I’ve shot at before. It’s good to have a few go-to spots where you know you can get what you need out of your photo, but it’s also a good idea to keep things looking fresh especially if you’re shooting in a familiar locale. Tomorrow is just such a day for me. I’ll be shooting a portrait in two days time at a location I’ve used twice before. The good news is it’s a large area. I’ll re-scout the spot tomorrow to make sure that when I show up on set the day after I’ll have a good idea of where I want to shoot.
Don’t be idle! Keep moving and looking!
Benjamin Lehman is a Commercial Wedding, Engagement, Portrait and Advertising Photographer in the Canton, Ohio area.
Here in Canton, we have have a great park known as Water Works Park. The park is actually a chain of parks including Stadium Park, McKinley Memorial Park and City Field Park in addition to the aforementioned Water Works Park. Through this park chain there are a multitude of locations for photography. Some areas are great for fitness photography, some are great for high school senior photos and some are perfect for bridal and engagement photo shoots. The landscape of the park changes dramatically along it’s length so you should never be left wanting for a change of scenery. Along side the park runs the Nimishillen Creek, which is actually classified as a river. This sheet of running water can also serve as a backdrop for photos shot near its banks.
One of my favorite places to shoot is in an area known as the Garden Center & Children’s Garden. This area is filled with trees and all types of wonderful flowering flora, changing dramatically depending on which season you visit. A small creek runs through the gardens off to the side through a series of stone walled water falls. This is another great area to shoot along. This side of the garden also offers a lot of shade to help photographers who have a shoot scheduled in the mid-day sun.
Brides can be photographed in both the Garden Center and the Children’s Garden easily from almost any angle, although you do have to be careful in some areas since the background can be cluttered with structures. With some careful planning you should be able to work around this easily.
For Business or High-School Senior portraits there is a wonderful trail that winds alongside another smaller creek on the western edge of the park. One of my favorite places here is a small waterfall with steps where you can take both standing and sitting portraits against an interesting backdrop of either water or trees. If you get there at just the right time (around 7:30-8:30 pm in the spring/summer) you can actually catch the suns light peeking through the arches of the waterfall’s bridge. The McKinley Monument, only 100 yards or so west of this point, also serves as a strong backdrop for those moments when your photo may need to convey strength or longevity. Try placing your subject’s back to the monument and shoot down the wall towards them with a shallow depth of field.
Because the park winds around with the river you should be able to move to a new location to effectively change the sun’s impact on your subject. Evenings after 5pm are best since the morning day sun rises over a row of houses instead of the trees that line the western side of the park.
Photographers in larger cities often have a ton of go-to locations for photography while those of us in slightly smaller cities really need to dig deep to find of those over looked gems. While Water Works Park is no secret, it’s not used nearly enough, in my opinion, as a backdrop in photos. In an upcoming article I’ll talk about how photogs in smaller cities can scout out promising locations that offer both easy access and unique looks.
Benjamin Lehman is a Commercial Wedding, High-School Senior Portrait and Advertising Photographer based in Canton, Ohio.
Earlier this week I added a new piece of gear to my already hefty camera bag – the Aputre Trigmaster Plus II 2.4G. Up until now, I haven’t had a lot of uses for good, reliable wireless triggers. For my studio lights I’d usually lay out a long sync cord attached to a separate power adjuster. When I used my speedlites I had to rely on some very cheap, and actually very unreliable, wireless triggers. But recently, I’ve been working on shoots that are larger in physical scale, and that increased distance meant it was time to find a trigger that would be reliable at greater range.
If you search the photography forums you’ll see that most photogs will recommend the PocketWizard brand time and time again – and for good reason, I should add. They didn’t earn that loyalty through shoddy quality. But PocketWizards can be a bit on the (very) expensive side and as the number of lights in your photographic arsenal grows so will your need for triggers. This is why I decided to give the Aputure brand of triggers a go. The reviews for these things so far have been pretty stellar and even though I’ve only had the chance to use them on one shoot so far I certainly got the feeling that these are every ounce as professional as their more pricey counterparts.
Like the PocketWizards they do cool things such as channel selection so you can run your triggers near other photogs without interference. You can also set triggers to zones, so you can fire only specific strobes individually or all at once (useful at things like weddings where you may have several flashes set up in an area and only want to target specific sections of a room). The advertised range is fantastic as well – up to 500m, although I haven’t truly tested it any anywhere near that limit. They feel sturdy and hefty too, and in no way cheap. The only downside I have found so far is the styling. While PocketWizards tend to look like next generation stealth aircraft, the Trigmaster Plus II looks like it comes from a pre-Chernobyl era.
Oh, and then there’s the price. These things are less than half the price of their rivals. For that you’re getting nearly all same features and build quality for half the cost. Feel free to compare the prices on Amazon when you get the chance.
A Custom Brush for all Your Photoshop Skin Retouching Needs
Retouching is an important part of any portrait, whether it’s a wedding, engagement, or high school senior’s photo. Most people are used to the airbrush technique, and since in the early days of photo retouching an artist would use an actual airbrush to do this, it’s no wonder why people still use the default airbrush tool in Photoshop today to pretty much the same effect.
Photoshop is great in the respect that you can use your own custom brush in addition to it’s default airbrush preset. I made my own custom brush, using a more organic pattern, to achieve much better results. This brush is great on any type of face, or body part as it replicates the random nature of skin, such as pores and other surface textures. The trick when retouching is being careful not to smooth your subject’s skin out to the point where they look flat and plastic. Using a textured brush like this allows you keep the skin looking real while gently painting away imperfections. Also keep in mind that some imperfections, especially in men, are defining features and should be only diminished in strength rather than removed completely.
You can download the file HERE and then load the brush within Photoshop under the brush menu.
Shooting Portraits on Location at A-1 Auto Repair.
Every now and then you get an amazing lead on a good location to photograph portraits. More often than not that location is something like a beautiful historic mansion, or a wonderful farm landscape or any other number of amazing, but slightly cliché backdrops. However, sometimes that location is something completely different than pretty much anything else out there.
Such was the case when a friend of mine suggested A-1 Auto Repair in Canton, Ohio. When another friend of mine, Chase the Matrix, needed some photos for his promo material I knew this new location would be perfect. Set against the farmed hills west of Canton proper, A-1 Auto Repair is an old-fashioned type of a place. A land that time forgot, but refuses to let go of. When you first pull up you’ll notice a long wall made entirely of old rims and hubcaps, and trust me when I say that would be enough to make this place cool. But it gets better. In front of the fence are several vintage, rusty cars. Again, perfect backdrop for portraits that need to be a little different in look and style.
Behind the fence is an entire, over grown junkyard. Old rusted cars with trees growing through them. Old rusted appliances, old rusted oil cans – old rusted everything! Everywhere you turn your lens there’s an amazing landscape of rusted Americana. Okay, okay, I know rusted cars can be a cliché photo backdrop as well, but not if the location is more than just that, and A-1 Auto is filled with portrait photography possibilities in all 360 degrees.
Now, I should mention, I’ve never shot here before nor had I ever even seen this place with my own eyes until the day we rolled up there for the shoot. That’s pretty risky, especially when you don’t know how the owners will react to you strolling up with a camera and some lights, asking if you can be on their property for an hour. Luckily, the owner and employees were as nice as you could ask for in people. They graciously let us have the run of the place and we did our best to make sure we just didn’t get in the way of their business.
Over all it turned out to be a great place for a portrait session that needed a little extra edge to it. It could even be a great place for some adventurous wedding photography too with the right bride and groom.
Brookside Farms – The perfect place for wedding, engagement and bridal photographs.
With it’s rolling hill sides, old fence backdrops, and historic Barn, Brookside Farms is an amazing place for a wedding. Set on 120 acres of lush pastures, Brookside Farms provides no-ends of possibilities for a modern wedding with an old-world touch.
Separate houses are provided for both brides and grooms, (the farm house for the Bride and the “The Lodge” for the groom), to allow them to get ready for their big day. And when I say houses, I mean it. These aren’t simple rooms with just enough space for the wedding party to get dressed; these are fully fledged homes with areas to meet and mingle, full sized bed rooms for the bride and her party to prepare. These homes are perfect for pre-ceremony photos – capturing those small, intimate, moments where everything comes together.
The ceremony itself can be held in any number of areas on this sprawling farm. Both the fields and the historic barn are two great locations for a wedding filled with ambiance. Trees and wooden fences dot the landscape, giving any outdoor wedding a picturesque backdrop. The barn, a 6,000 square foot historic structure, is perfect for both wedding ceremonies and receptions. It has extra rooms for catering use as well as completely modern restrooms – no guest has to worry about using an outhouse!
The farm house, as mentioned above, is a beautiful location for wedding photos and can also serve as housing for out-of-town guests. It’s an 1870’s brick house that has been completely restored with 3 bedrooms, two full baths, an functioning kitchen, a sitting room, sun room, and living & dining rooms. It’s a gorgeous place to take pictures of the bride and her party when she puts on her wedding dress. There’s even wireless internet for those people who want to keep their social media friends who couldn’t attend in the loop.
It’s important to mention that there are a lot of people involved with any ceremony. Wedding florists, wedding planners, wedding caterers and of course wedding photographers; Brookside Farms is set up perfectly to handle all of these flawlessly with a dedicated staff ready to help in any way needed.
When I was there last, taking photos for a couple who later became good friends, I found the Brookside Farms to be filled with charm and convenience. The perfect confluence of beauty and practicality. There was no where on the property to take a bad photo – the farm did most of the work for me. And when the evening finally came, and the sun began to set behind the hills the photos just kept getting better and better. Brookside Farms isn’t just limited to wedding day photography either. Engagement photos and Bridal Portraits can be taken there as well.
Benjamin Lehman is a Commercial Wedding Photographer from Canton, Ohio.