Lastly, we’re gonna tackle lighting.
Personally, I think this is the hardest consideration you’ll ever have to make as a photographer. Where as your camera is a tool that simply captures the light in front of its lens, it’s the light itself that constructs the image you’re taking. Adding to this the many light manufacturers and modifiers available (many more than Camera makers) and the fact that most systems don’t always work very well with each other — let’s just say you have a lot to examine here.
I use two systems in my studio kit. 1 set of larger, ‘studio’, strobes and another set of smaller speedlight flashes. I use them both equally, and I have found that there are just times and places where I’ll need the benefits of one over the other.
For the speedlights, I actually don’t suggest buying the cheaper knock-offs. They will work most of the time, but most isn’t always enough. I use 4 canon speedlights: one 600exrt, one 430ex III, and two 430ex II flashes, and they work ALL of the time. If there’s ever an issue with my lighting, it’s because I am doing something wrong, not the flashes.
For the larger studio strobes, however, it’s a different story. That market is filled with a bunch of manufacturers who craft incredible products. If you have the cash, then of course there’s the industry standard Profoto B1X which does everything under the Sun (with the power to beat the Sun at it’s own game, I should add). However, if you’re like me and need to be a little more frugal, you can find cheaper systems that work just as well. I prefer the flashes from Paul C. Buff. I own 3 of their studio strobes: one Einstein 640, one Alienbees B800, and one Alienbees B400. I can’t say enough great things about these flash units. In the 4 years since my first Paul C. Buff flash, they haven’t let me down – and trust me, I’ve mistreated them at times and yet they still come through for me.
You may not need 7 flashes, like I have, at the start, but you’ll certainly need at least 1. You can pretty much do everything you’ve ever wanted to do lighting-wise with just one flash – it may mean you have to get extra creative with how you stage your photo, but you can do it.
- Camera Brand matched Speedlight ($300-$600)
- Alienbees B800 ($280)
- Paul C BuffEinstein ($500)
- Profoto B1X ($2,100)
- Brand Compatible Wireless Triggers ($50-$200)