I had the unique pleasure of photographing the wedding of Jordon and Talon Baker this last December at the gorgeous Kingwood Center in Mansfield, Ohio. What a beautiful couple and gorgeous location!
I had the unique pleasure of photographing the wedding of Jordon and Talon Baker this last December at the gorgeous Kingwood Center in Mansfield, Ohio. What a beautiful couple and gorgeous location!
Our business, our style, our sensibilities are all forged by the people we love and the places we lived.
All of us here at Benjamin Lehman Photography proudly became the artists we are now from our time spent living in San Francisco. We come from families with LGBT relatives, and we’re proud to say that many of our best friends are LGBT as well. We’ve supported, and have participated in the community for decades.
We would be happy… no, ECSTATIC… if you would consider us for your LGBT wedding.
Kisses and Hugs,
Benjamin Lehman Photography
This past May Benjamin Lehman Photography was given the opportunity to shoot a gorgeous wedding in historic Morristown, NJ. A little history about Morristown, and I’ll keep this brief; Morristown stood as the headquarters a for General George Washington’s and the Continental Army after victories in Trenton and Princeton. Much of the scenery reflects the areas colonial heritage — this leads to many great photographic opportunities if you know exactly how to work the history into photos.
The morning of the wedding started with me, my cameras and the wedding party getting ready at the Morristown Hyatt. The Hyatt is swathed in beautiful decor and style, making it very easy to take great photos.
When I work alone, (as I did for much of this wedding), I make sure to know the schedule for the day down to a T. I often go as far as to measure the time it will take me to get between points A and B the day before so I can factor driving and walking times into my own schedule.
I started the day with the bride and the bridesmaids getting ready in the bridal suite. In many ways, these are my favorite photos to take during the day of the wedding. The girls are always full of smiles, the atmosphere is filled with excitement and the over all transformation of becoming a bride is a magical thing.
Once I’ve taken a few shots of the ladies, I’ll head over to where the gents are getting prepared. Guys are also fun to photograph, but for different reasons. The atmosphere with groom and groomsman is almost always laid back. It usually constitutes of one or more guys asking another how to properly tie a tie, discussing sports, and dirty jokes.
Shooting with the guys usually goes fairly fast, maybe 15 to 30 minutes. Then I head back to the girl’s room to capture some more pictures as they finish getting ready.
Some weddings schedule time for Bridal Party photos after the wedding ceremony, and some do it before. For our gig in New Jersey we had 2 hours before the ceremony to get all the photos we needed. Because I had scouted many locations the day before I had a great mental plan of attack. I would take most of my pictures in a garden behind a historical house, and save one last photo for a specific place in the museum where the ceremony would take place.
At the last moment I did have a change of heart with taking all of the photos in the gardens — I realized I didn’t want a large bulk of the photos to have a similar background. Additionally, I’d like the groom and groomsman to have a slightly more manly environment. So, I took the guys and we went to the hotel bar. It just so happens that the Hyatt in Morristown has one of the best looking contemporary bars I’ve ever seen. At one point I even had them order shots of whiskey so I could grab some great photos of a toast to the groom.
Once I finished with the guys in the bar, I headed with the ladies to the garden. This all happened in early May, which meant all the trees were flowering, the grass was green, and the entire area was alive.
When I pose for bridal party photos I’ll do two things. First, I’ll do the traditional stand-next-to-each-other photos. They aren’t my favorite photos, but they serve a traditional purpose.
Then, once those are out of the way I’ll start to pose my subjects like we’re shooting photos for a magazine spread. I do this by putting people throughout the environment, and adding depth and interaction between the subjects and their surroundings. You don’t have to make it too elaborate however. For this shoot, I found just a little depth in my photos between the various bridesmaids is all we needed to create some wonderful photos.
After our time in the gardens the entire wedding party packed up and headed to the wedding venue at the Morris Museum.
The museum itself is an amazing venue. It’s part old mansion, part contemporary museum with displays for both kids and adults. The ground’s curator, a great guy named Peter, gave me a personal tour. Perhaps the thing that impressed me most is the fact that there are priceless pieces of art on display without barriers to the public. If one so wished, he could walk right up to a Rembrandt and touch the very paint laid down by the master so many years ago (but,uh, don’t do that). The atmosphere of the mansion and all of it’s beautiful paints had influenced me earlier when I was scouting and it gave me an idea for a photo.
Once myself, and everyone else arrived, I ushered them into one particularly gorgeous room within the mansion. My plan was to take a wide-angle photo with the entire wedding party. I wanted it to be very stylish, very dramatic, with strong shadows and highlights. The only problem was I had to photograph a huge room and only had one studio strobe available. My solution was to use a technique where you take multiple photos, moving the light between each photo, and then merge the photos together in Photoshop to create one, complete photo that has a big-production look to it. We only had 5 minutes before the ceremony began, so I moved very quickly, posing people, taking the photo, moving the light, and taking the next photo over and over again until I knew I had all the elements I needed to create the picture I set out to capture.
Once that was finished I took my place in the back of the hall, down the center of the isle as the ceremony started. Once the ceremony starts, it then becomes a job of capturing the beauty of the wedding as it unfolds.
The evening ended with a marvelous reception. My plan of action was to be the fly on the wall who flits around and snaps all of the brilliant candid moments that happen around the room and on the dance floor.
My time in Morristown, NJ stands as one of the most superb weddings I’ve ever had the pleasure of photographing and it left me a great feeling and urge to have more experiences like this one.
Photos of you and your wedding party getting ready are some of the most important photos you’ll want to have as memories of your wedding day.
You’re going to be drop-dead gorgeous on your wedding day — your photos should be too!
Hanging out and taking pictures of the groom and his groomsman is always a blast.
Wedding photos should be timeless and look as if they belong in a magazine spread.
To create a big-production look for this photo, I took several photos while re-positioning the light between each picture. Once assembled in Photoshop, the final effect is a beautiful, cinematic portrait of the entire wedding party.
Modifiers let photographers take their light and mess around, get creative. Small modifiers can give you a sharp, zappy light with strong contrast. Large modifiers can even out shadows, spilling light across a surface. Huge modifiers do the same, only they take that principle to the extreme! At 7 feet, this Westcott umbrella is about as big as you can get while still being manageable in the field.
Because it’s an umbrella, albeit a very large one, it folds up quickly and easily into a relatively small volume. That means you can throw it into the back of your small car, or take it with you into the field without having to deal with something more cumbersome like a metal framed light panel. Like most studio umbrellas, nearly all studio light or speedlite brackets will accommodate it nicely.
One thing that really surprised me with the Westcott is how well it works with a single speedlite. You’d expect something 7 feet across to eat up the light from a tiny flash unit, but that’s not the case. A single 430ex II speedlite is more than capable of working with this gigantic modifier with great results. I’d suggest using at least two speedlites to help preserve battery life, but in a pinch 1 speedlite will work flawlessly.
I used this light this past weekend while photographing my step-daughter’s wedding. I only had 5 minutes to get the shot and that included light step up, composition, and posing. Because I only had one light I used a technique where you take several photos of the scene, moving the light around between each shutter release. Once you’re done you stitch the photos together, creating a photo that looks as though it was light with 4 or more giant modifiers.
Below is the final photo, beautifully lit thanks to the Westcott 7′ White Umbrella
Early in November I had the opportunity to photograph a wedding for an absolutely wonderful couple; Jim & Leslie. We met Leslie through a previous job, The Akron-Canton Regional Foodbank, where she works in the fundraising department. When we first met to discuss if we would be a good fit for her wedding, (We met in mid summer, several months before her wedding date), she expressed how important it was that the wedding photos shouldn’t staged – she wanted a very sweet, intimate, editorial look to her photos — it just so happens that shooting in an editorial fashion is one of my favorite styles for weddings
When someone says, “Editorial”, it can mean several different things. For the most part, editorial means any photo that happens naturally in the moment without the photographer staging or intervening in the photo in anyway. When I am shooting a wedding I’d suspect that nearly 95% of of my photos are shot in an editorial manner. The last 5% are things like formals where the photographer needs to work hand in hand with the bridal party and family in order to get all of the expected photos.
Before any wedding it’s not uncommon for the bride and groom to prepare in different areas or even completely different venues. For Jim and Leslie’s wedding this meant I would be at 3 different places throughout the day. It started in the early afternoon with the groom and the groomsmen getting ready at the Hilton. The day was overcast, and the room was lit naturally with a large window on one side of the room. The room itself was painted a soft beige on every wall, including the ceiling. These types of situations are always tricky when trying to find your white balance. The best bet would be to set your camera to tungsten – this will help immensely since the colors of the walls will even influence the color of your flash into a warm tone.
The second location I visited was where the bride and her bride’s maids were getting ready, The Bertram Inn at Glenmoor estates in Canton. This location is gorgeous. The Inn itself has a wonderful style to it, a very late 1800’s industrial-age-elegance. The room the bride was preparing herself in was a large suite, soft blue-ish green walls, a large white ceiling and several windows letting copious amounts of natural light in. This was the perfect room for pre-wedding/getting ready photos.
For the formals, my first choice was to use the attached Chapel, and while we were promised by the staff that it would be available to us for photos, we were disappointed to find out that it had been filled with empty tables and broken glass – and since it’s not kosher to have your bride walking through broken chandelier bulbs, I had to move quick and find a second location for formal photos. Luckily the front of the Inn turned out to be a perfect replacement location. We got lucky and the sun started to peek out of the clouds in the distance, which added warmth, and there was still enough cloud cover that the light remained even over the subjects. In total this provided beautiful, natural light conditions.
Once formals were done, we headed to the wedding venue; La Pizzaria, a beautiful, upscale eatery here in Canton. While the outside of the venue is fairly nondescript the inside, however, is a beautiful, open space with wooden walls and a concave ceiling, painted and lit to look like a spring sky. Wooden walls usually mean you’re in for a lighting nightmare. Trying to bounce light off of shiny, dark materials can prove near impossible. However, I knew I could use a tall light stand and hoist one of my studio strobes into the channeled ceiling and still get good light coverage where I needed it without having to worry too much about color balance issues.
The wedding itself was an exquisite affair with both the wedding party and guests filling the room with excitement and smiles. It’s always fun for me when I get to live and document a day in the life of wonderful people and this wedding was just such an experience – something I’ll cherish and remember forever.
While I’ve lived in Northeast Ohio for nearly 5 years, I am still amazed by how little of the area I’ve explored. Because I am a rather restless person, this is works out in my favor — I love exploring new places for possible photographic locations.
My most recent scouting excursion was to an area within Cuyahoga Valley National Park known as the Virginia Kendall Ledges. Formed millions of years ago when much of Ohio was a great inland sea, the ledges were most likely the walls of a large island formation. What’s left now are beautiful ledge and cliff faces made up of a sandy, rocky material known as “Sharon Conglomerate.” What was once a scene of fast moving rivers is now a serene and tranquil forest with a thick canopy and graceful hiking trails.
I arrived a few hours before sunset, when the sun was starting to get low in the sky. The result was a forest floor with a gorgeous level of ambient light and equally wonderful spots of deep red, dappled sunlight peaking through the tops of the trees. I can’t overstate just how red that sun light really was — the areas where the sun’s rays hit the ground were lit up with a laser-pointer red that was so unnaturally vibrant it took me a few moments to realize it wasn’t something else just laying on the ground and was, in fact, the sun’s setting hues.
It didn’t take much imagination to realize this would be the perfect backdrop for gorgeous, empyrean photos. A wedding, engagement, or any other type of portrait session here would instantly take on a ghostly, magical quality. The surrounding area has no end of possible backdrops. There are small patches of open ground looking up at the cliffs, areas on the cliffs that look over the forest, and still more areas with stone stairways carved out of the rock face itself. Everywhere you looked there was a photograph waiting to happen.
I look forward to suggesting this area to my clients in the future, and I know when they see it, they will be overcome with how exquisite the location is.
I had the great pleasure and honor to be the wedding photographer for Jesse & Chris. The ceremony was at Saint Joseph Catholic Church in Massillon, Ohio.
The wedding was exceptionally fun for me because it presented me with a few creative challenges — which, by the way, is something I truly love. Unique obstacles are a great way to improve creativity in a new situation, and the lessons you learn under these circumstances can be taken with you into the next photography project and put to great use.
For this wedding, it was a very compressed time-frame. The Bride & Groom would be showing up only an hour before the ceremony. The real catch, however, was that there was a service being held in the church that was scheduled to last 15 minutes into that hour. That would give me 45 minutes to set up lights, photograph preparation, candid and detail shots; all of which no wedding should be without. I realized the day before that this was more a test of my own personal speed and aptitude rather than a test of my ability to come overly prepared. I loaded all of our gear into the car as usual and readied myself to move like the wind once the parishioners had filed out of the church and that’s exactly what I did when I arrived on the spot. Read on about my adventures below the video.Read More»
Here in Canton, we have have a great park known as Water Works Park. The park is actually a chain of parks including Stadium Park, McKinley Memorial Park and City Field Park in addition to the aforementioned Water Works Park. Through this park chain there are a multitude of locations for photography. Some areas are great for fitness photography, some are great for high school senior photos and some are perfect for bridal and engagement photo shoots. The landscape of the park changes dramatically along it’s length so you should never be left wanting for a change of scenery. Along side the park runs the Nimishillen Creek, which is actually classified as a river. This sheet of running water can also serve as a backdrop for photos shot near its banks.
One of my favorite places to shoot is in an area known as the Garden Center & Children’s Garden. This area is filled with trees and all types of wonderful flowering flora, changing dramatically depending on which season you visit. A small creek runs through the gardens off to the side through a series of stone walled water falls. This is another great area to shoot along. This side of the garden also offers a lot of shade to help photographers who have a shoot scheduled in the mid-day sun.
Brides can be photographed in both the Garden Center and the Children’s Garden easily from almost any angle, although you do have to be careful in some areas since the background can be cluttered with structures. With some careful planning you should be able to work around this easily.
For Business or High-School Senior portraits there is a wonderful trail that winds alongside another smaller creek on the western edge of the park. One of my favorite places here is a small waterfall with steps where you can take both standing and sitting portraits against an interesting backdrop of either water or trees. If you get there at just the right time (around 7:30-8:30 pm in the spring/summer) you can actually catch the suns light peeking through the arches of the waterfall’s bridge. The McKinley Monument, only 100 yards or so west of this point, also serves as a strong backdrop for those moments when your photo may need to convey strength or longevity. Try placing your subject’s back to the monument and shoot down the wall towards them with a shallow depth of field.
Because the park winds around with the river you should be able to move to a new location to effectively change the sun’s impact on your subject. Evenings after 5pm are best since the morning day sun rises over a row of houses instead of the trees that line the western side of the park.
Photographers in larger cities often have a ton of go-to locations for photography while those of us in slightly smaller cities really need to dig deep to find of those over looked gems. While Water Works Park is no secret, it’s not used nearly enough, in my opinion, as a backdrop in photos. In an upcoming article I’ll talk about how photogs in smaller cities can scout out promising locations that offer both easy access and unique looks.
With it’s rolling hill sides, old fence backdrops, and historic Barn, Brookside Farms is an amazing place for a wedding. Set on 120 acres of lush pastures, Brookside Farms provides no-ends of possibilities for a modern wedding with an old-world touch.
Separate houses are provided for both brides and grooms, (the farm house for the Bride and the “The Lodge” for the groom), to allow them to get ready for their big day. And when I say houses, I mean it. These aren’t simple rooms with just enough space for the wedding party to get dressed; these are fully fledged homes with areas to meet and mingle, full sized bed rooms for the bride and her party to prepare. These homes are perfect for pre-ceremony photos – capturing those small, intimate, moments where everything comes together.
The ceremony itself can be held in any number of areas on this sprawling farm. Both the fields and the historic barn are two great locations for a wedding filled with ambiance. Trees and wooden fences dot the landscape, giving any outdoor wedding a picturesque backdrop. The barn, a 6,000 square foot historic structure, is perfect for both wedding ceremonies and receptions. It has extra rooms for catering use as well as completely modern restrooms – no guest has to worry about using an outhouse!
The farm house, as mentioned above, is a beautiful location for wedding photos and can also serve as housing for out-of-town guests. It’s an 1870’s brick house that has been completely restored with 3 bedrooms, two full baths, an functioning kitchen, a sitting room, sun room, and living & dining rooms. It’s a gorgeous place to take pictures of the bride and her party when she puts on her wedding dress. There’s even wireless internet for those people who want to keep their social media friends who couldn’t attend in the loop.
It’s important to mention that there are a lot of people involved with any ceremony. Wedding florists, wedding planners, wedding caterers and of course wedding photographers; Brookside Farms is set up perfectly to handle all of these flawlessly with a dedicated staff ready to help in any way needed.
When I was there last, taking photos for a couple who later became good friends, I found the Brookside Farms to be filled with charm and convenience. The perfect confluence of beauty and practicality. There was no where on the property to take a bad photo – the farm did most of the work for me. And when the evening finally came, and the sun began to set behind the hills the photos just kept getting better and better. Brookside Farms isn’t just limited to wedding day photography either. Engagement photos and Bridal Portraits can be taken there as well.