Let’s face it – flash photography is daunting. It’s so daunting that some people try it once, only to never return. Even if you have a good handle on the principles of flash photography there are still a myriad of issues that can crop up and turn a simple photo into a complicated affair.
Dials, lighting ratios, radio & wireless triggering, power range, compatibility with lighting modifiers are some of the issues that confront a photographer every time he takes his lights into the field.
So, how does the Einstein deal with all of these problems? Let’s start by saying that there is no magic button on the back of the Einstein that will tap into your imagination and render the exact lighting that you desire. But it does have a few great options that allow you to interact with the light so you can easily achieve the light you’re looking for.
I’m going to throw a dart at the board here and just start with a random topic: White balance.
I am not a huge curmudgeon when it comes to a flash’s color balance. I tweak the color in nearly every photo I take in post to suit my taste and therefor it’s never been a big issue for me if one frame has a slightly different temperature than the next. There are some people, however, who very much rely on their lighting system to produce the same quality and temperature of light consistently between each frame. You know the types, they color balance before each shoot, read every element of their set with a light meter and talk with precise and measured words, often in a German accent. That’s all fine, and if that’s you, good news, the Einstein totally caters to your needs.
On the back of the Einstein lives a small LCD screen, and this screen holds a deluge of information. So much more than the usual per-stop digital-number readout. This screen, which is actually a visual portal to all of the things that make the Einstein so great, allows you access some amazing sub-features. One such feature is the ability to switch between action and color mode. Action mode allows the light to have a dramatic power drop after it’s main light burst. This power drop allows you to capture action at speeds of 1/13,500! There’s a good chance that even your camera can’t capture action at those speeds.
I tried action mode out this week in the studio and it absolutely amazed me. This feature will freeze the action in a perfect stand-still. No motion bleed what-so-ever, only clear, clean, crisp edges no matter what action is happening in front of your lens.
But, if you’re more concerned with color temperature, then switch over to Color mode and all your color balance woes disappear. Normally, as your average studio light repeatedly flashes it’ll slowly change color temperature over the course of a session. Same with changing it’s power. Dial in more or less power and you’re also changing the color range every so slightly. The Einstein has some really smart internal logic that combats this problem with astonishing results. From their website, “In Constant Color mode, the emitted color temperature is held constant at 5600ºK (+/- 50ºK at any power setting or input voltage).” That’s pretty impressive.